Oops I Did It Again Vinyl

2000 studio anthology by Britney Spears

Oops!... I Did It Again
Britney Spears - Oops!... I Did It Again.png
Studio album by

Britney Spears

Released May iii, 2000 (2000-05-03)
Recorded 1999–2000
Studio
  • 3rd Floor
  • Avatar Studios
  • Battery Studios
  • Electrical Lady Studios, New York City
  • Eastward Bay Recording, Tarrytown
  • Pacifique Recording Studios, Hollywood
  • Rarc Studios, Orlando
  • Cheiron Studios, Stockholm
  • La Tour-de-Peilz, Switzerland
Genre
  • Popular
  • trip the light fantastic-pop
  • teen pop
Length 44:37
Label Jive
Producer
  • Timmy Allen
  • Larry "Stone" Campbell
  • Barry J. Eastmond
  • Jake
  • Robert "Esmail" Jazayeri
  • Rodney Jerkins
  • David Kreuger
  • Robert John "Mutt" Lange
  • Kristian Lundin
  • Steve Lunt
  • Per Magnusson
  • Max Martin
  • Rami
  • Paul Umbach
  • Eric Foster White
Britney Spears chronology
...Baby One More Time
(1999)
Oops!... I Did Information technology Again
(2000)
Britney
(2001)
Singles from Oops!... I Did It Again
  1. "Oops!... I Did It Again"
    Released: Apr 11, 2000
  2. "Lucky"
    Released: July 25, 2000
  3. "Stronger"
    Released: October 31, 2000
  4. "Don't Let Me Be the Concluding to Know"
    Released: March 12, 2001

Oops!... I Did Information technology Again is the second studio album by American vocalizer Britney Spears released on May 3, 2000, through Jive Records. Though much in the vein of her debut album ...Baby One More Time (1999), it is a pop, dance-pop, and teen popular record, the anthology incorporates a more funkier and R&B sounds.[1] Contributions to the album's production came from a broad range of producers, including Max Martin, Rami Yacoub, Per Magnusson, David Kreuger, Kristian Lundin, Jake Schulze, Darkchild, and Robert John "Mutt" Lange.[2]

Upon its release, Oops!... I Did It Once more received positive reviews from music critics, who praised its production, sonic quality and Spears' vocal performance. The album became a massive commercial success, debuting at number one in over xv countries while peaking inside the height ten in diverse others. In the Us, it debuted at number one on the Billboard 200, with first-week sales of one.39 1000000 copies, becoming the fastest selling album by a female artist since Nielsen SoundScan began tracking signal-of-sale music purchases in 1991.[3] This record was cleaved xv years after by Adele'southward 25, which sold over 3.38 million copies in its offset week of release.[iv]Information technology became Spears' 2nd consecutive album to be certified Diamond by the Recording Industry Association of America, denoting sales of over ten one thousand thousand copies in the United States, making Spears at age 18 the youngest artist to have multiple diamond albums.[5] With worldwide sales of over 20 million copies,[6] Oops!... I Did It Again is one of the all-time-selling albums of all-time.

4 singles were released to promote the album. Its title track was commercially successful in a number of territories, reaching number i in fifteen countries and peaking at number 9 on the US Billboard Hot 100. Its 2nd single, "Lucky", peaked at number i in Austria, Germany, Sweden and Switzerland, within the top ten in Australia, Belgium, Canada, Denmark, Ireland, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania and the United Kingdom, and at number twenty-three on the United states of america Billboard Hot 100. Its third single, "Stronger", reached the acme 10 in Austria, Finland, Germany, Poland, Romania, Sweden, Switzerland and the U.k., and peaked at number 11 on the The states Billboard Hot 100. "Stronger" became the highest-selling single off the anthology, receiving a Gold certification in Australia, Kingdom of denmark, Deutschland, New Zealand, Sweden, and the United States. Its final single, "Don't Permit Me Be the Last to Know", was moderately successful on the charts, peaking at number one in Romania, and within the meridian ten in Republic of austria, Poland, and Switzerland, merely failed to nautical chart on the US Billboard Hot 100. To promote the album, Spears performed on several tv set shows and laurels ceremonies, including a controversial performance at the 2000 MTV Video Music Awards. She likewise was the host and musical guest for the showtime time on Sabbatum Night Live. Furthermore, Spears embarked on a concert tour, entitled the Oops!... I Did It Again Bout, starting on June xx, 2000 and ending at the Rock in Rio festival on January 18, 2001.

Recording and production [edit]

"When I did the showtime album, I had just turned 16. I mean, when I look at the anthology cover, I'm similar, 'Oh, my lordy.' I know this next album's going to be totally unlike--especially the material. I just got finished recording the first six tracks in Sweden two months agone, and the material is and so much more funkier and edgier. And, of class, it's more than mature because I've grown as a person too."

—Spears on the progression of her material for the album.[seven]

After vacationing for six days following the completion of the ...Baby One More Time Tour in September 1999,[8] Spears returned to New York Urban center to begin recording songs for her next album; the bulk of the recording took place in November. Information technology featured contributions from Max Martin, Eric Foster White, Diane Warren, Robert Lange, Steve Lunt, and Babyface.[9] The songs "Oops!... I Did Information technology Again", "Walk on By" (later covered past Gareth Gates), "What U See (Is What U Get)", and "Don't Get Knockin' on My Door" were the first to be recorded at Martin's Cheiron Studios in the starting time calendar week of November; followed past "Stronger" and "Lucky", which were finalized (along with the title runway) in January 2000. Spears recorded "Don't Permit Me Be the Last to Know" at Robert Lange'south villa in Switzerland in December 1999; Lange produced the song.[10] "Where Are You Now" was an outtake from ...Baby 1 More Time. "Girl in the Mirror" and "Can't Make You Love Me"'s instrumental track and melody were recorded in the fall of 1999 in Sweden, with Spears recording the vocals in mid-January at Parc Studios in Orlando, Florida.[11] [12] Spears returned to New York, linking up with producer Steve Lunt to record Diane Warren's "When Your Eyes Say It" at Battery Studios on Friday, Jan 28, 2000, which preceded her TRL appearance that day. "1 Kiss from You" was besides recorded at Bombardment Studios but was later finished at 3rd Floor in New York City. Spears also recorded the terminal track for the album "Dear Diary" which would after be completed at East Bay Recording in Tarrytown, New York and at Avatar Studios in New York City. Another vocal recorded during these sessions was "Heart". Her encompass of "(I Can't Get No) Satisfaction" was recorded with Rodney Jerkins at Pacifique Recording Studios in Hollywood, California during Feb 24–26, 2000 later attending the 42nd Annual Grammy Awards.[13]

Past Jan, the then-untitled album was halfway to completion; Spears had worked on it primarily in the United States and Sweden, and finalized cloth in New York City.[9] She was heavily pressured after ...Baby Ane More Time 's huge commercial success, stating: "It'southward kind of hard following ten million, I accept to say. Merely subsequently listening to the new material and recording information technology, I'm really confident with it."[fourteen] Upon the release of Oops!...I Did Information technology Over again, Spears said: "I mean, of grade there's some pressure", and added: "But in my opinion, [Oops!] is a lot better than the first album. It's edgier – it has more than of an attitude. It's more me, and I think teenagers will relate to information technology more." Geoff Mayfield, director of Billboard charts, added that the conclusion to release Oops!... I Did It Once more less than a twelvemonth and a half after Spears' debut amounts to "very smart timing. My philosophy is when you have a young fan base, get 'em while they're hot."[15]

Music and lyrics [edit]

Oops!... I Did Information technology Over again was considered as a sequel to Spears' debut album, ...Baby One More than Time (1999),[ane] percolating with a carefully measured blend of familiar pop, funk, R&B and power balladry.[16] Spears said during an interview that the anthology has a more mature, R&B-flavored pop sound. "It'due south not something I changed purposefully", Spears said of the album's sound and added: "It's only something that kind of changed on itself with me being older. My voice has inverse a little chip and I'm more confident, and I think that comes across on the material."[7] 1 of its producers, Rodney "Darkchild" Jerkins talked about working with Spears on a Rolling Stones cover, stating: "It's going to shock everybody", calculation: "It has flavors of the original, but it's a straight 2000 version — new to the ear. Which I think is cool, because people who appreciate that song are going to love it. And I made it and so new and young that the immature kids that love Britney are going to beloved it. It's going to take hold of both a mature and young audience."[17] Spears worked with Robert "Mutt" Lange on "Don't Allow Me Be the Concluding to Know", telling MTV News: "When y'all hear the song, it's so pure and delicate. It's just i of those songs that pull you in", and added: "I think they wrote information technology 'specially for me, because the lyrics of the song, if yous really listen … they're more than of what I can relate to, 'cause they're kind of immature lyrics, I think. I don't remember Shania would probably sing some of the words that I'm saying."[17]

The championship track and opening song, "Oops!... I Did It Again", was compared to her debut single, "...Baby One More Fourth dimension" (1998), featuring a slap-and-pop bassline, synthesizer chord stabs and a mechanized shell. Lyrically, the song sees Spears warning to an overeager prospective lover: "Oops, you think I'yard in love/That I'm sent from to a higher place — I'm not that innocent."[18] The song likewise breaks down for a spoken-discussion interlude, involving a line from the picture show Titanic (1997).[18] The second rail "Stronger" is a synthpop[19] and R&B-infused rail,[17] which is lyrically a declaration of independence, where Spears leaves a partner who treats her like property.[20] The line "my loneliness own't killing me no more" makes reference to the verse "my loneliness is killing me" from her song "...Baby I More Time".[17] Another R&B-infused track, which also adds a flake more than funk to the mix,[17] "Don't Go Knocking on My Door" finds Spears confidently forging ahead afterward a breakdown.[20] The quaternary track, a embrace of the Rolling Stones' "(I Can't Go No) Satisfaction", begins with mushy guitar plucking and breathy coos, until a dry, crackling lockstep is thrown downwardly, turning the song into an urban stomp.[21] The trip the light fantastic toe-pop version too jettisons the song'south final verse and adds some new lyrics[17] ("how white my shirts could be" becomes "how tight my brim should be").[22] "[Information technology] was my idea [to record the song]", Spears said. "I was just like, 'I similar this song,' and I remember it will be a actually cool combination working with [hip-hop producer] Rodney [Jerkins] and doing a really funky vocal similar that."[13] The fifth rails, "Don't Let Me Be the Last to Know", was co-written by state-popular vocalizer-songwriter Shania Twain and her then-husband, producer Robert "Mutt" Lange, who as well produced the rails.[17] The ballad, which boasts a slinky keyboard riff and Lange's characteristically lavish product, finds Spears assuasive a chip of country twang into her vocals as she begs a lover to reveal his feelings: "My friends say you're into me ... just I demand to hear it straight from you", she sings.[17]

The 6th track "What U Run into (Is What U Get)" demands respect by rebuking a jealous partner,[xx] while the seventh runway, "Lucky", is a heart-rending tale of a Hollywood starlet'due south loneliness, proving that fame can be empty.[20] "If at that place'due south nothing missing in my life/Then why exercise these tears come at nighttime?", she asks.[xix] "School crush" is the theme of "One Kiss from You",[xx] a track that has a reggae-style vanquish and lyrics most the feelings of falling in beloved, and the quickness of it,[23] with Spears cooing that subsequently only one kiss she sees her entire futurity with her lover.[24] The ballad "Where Are You At present" talks almost wanting to know where a previous honey is, and what that person is upward to, so that she can finally let them get and notice closure.[ citation needed ] Lines on "Can't Make You Love Me", a Europop song,[21] state that fancy cars and money pale in comparing to truthful love,[20] with Spears singing: "I'm only a girl with a trounce on you."[21] The mid-tempo, synth-backed "When Your Optics Say It", written past songwriter Diane Warren, combines a string section with a loping hip hop beat,[17] while Spears makes her own songwriting debut on the modest, keyboard-driven ballad "Love Diary", which she said is autobiographical. On the track, she sings of wanting to become "so much more than friends" with a boy.[17]

Release and promotion [edit]

In late 1999, Spears promoted her upcoming album in Europe with live performances of her past songs. She appeared on Smash Hits in the United Kingdom.[25] In Italy, she did a short interview on the television evidence TRL Italy in early 2000.[25] and gave a surprise performance in Paris in May 2000.[26] In Australia, Spears appeared on The House of Hits and Russell Gilbert Live on May 13.[25] In Spain, she gave an interview with El Rayo on September 8 and October 24.[25] Spears performed at large venues in the United kingdom of great britain and northern ireland, including Birmingham, the Wembley Arena in London, and the Manchester Evening News Arena. She was accompanied by NSYNC, who toured with her during a short United Kingdom outing in October 2000.[26]

Oops!... I Did It Again was first released in Japan on May 3, 2000, and was later released in the The states on May sixteen. In the United States, Spears appeared on Saturday Nighttime Live on May 13, The Rosie O'Donnell Show on May fifteen, and Teen People's 25 Under 25 on May 26.[27] On May 10, she was interviewed on Late Dark with Conan O'Brien.[25] On May 13, Spears was both the host and musical guest on NBC's Saturday Night Live. She too performed on NBC's The Tonight Show with Jay Leno on May 23.[28] Spears' held her mail service-TRL listening political party, "Britney's First Listen", on May 16, and was toast the arrival of her album on side by side Tuesday's installment of TRL that started at iii:30 p.m. (ET).[29] On May 14, she was at Times Foursquare studios for two hours of "Britney Alive" that started at apex.[29] Spears performed "Oops!... I Did It Once again" on MTV's All Access: Backstage with Britney that was circulate on July nineteen, 2000.[25] On September 7, at the 2000 MTV Video Music Awards in New York Urban center at the Radio City Music Hall, Spears gave a memorable alive performance.[thirty] which included a embrace of the Rolling Stones'southward hit single "(I Can't Become No) Satisfaction" (1965) and her own hit "Oops!... I Did It Again", released earlier that year. While she began her segment in a black suit, she shocked the audience and the media while, at only the age of eighteen, ripped it off to display a revealing, flesh-colored stage outfit with hundreds of strategically placed Swarovski crystals.[31] One month before the release of the album, Spears headed to Hawaii on Easter Dominicus so she could tape a Fox television set special titled Britney Spears in Hawaii. The free concert was held on the beach in front of the Hilton Hawaiian Hamlet lagoon in Honolulu, Hawaii.[32] The Fox concert event was intended to serve as a preview of Spears' Oops!... I Did It Again album that features her twelve new songs.[32] Spears had on a month-long international promotional tour in back up of Oops!... I Did It Once more, and on May ii, she had a press issue at Kokusai Forum Hall in Tokyo, and fabricated stops in both London and Hawaii.[33] Spears was also among the scheduled performers on the 42nd Almanac Grammy Awards, which aired on CBS at 8 p.m. (ET/PT).[34] She was also expected to appear on a Grammy-solar day TRL.[34]

The anthology's supporting tour, the Oops!... I Did It Again Bout, visited North America, Europe, and Brazil as part of Stone in Rio. On the Crazy 2k Bout, Spears introduced the songs "Oops!... I Did Information technology Again" and "Don't Allow Me Be the Final to Know". On June 24, 2000, Spears was featured in a print and television set advertising entrada for Clairol's Herbal Essences shampoo line. In a special coup for Clairol, Spears recorded her ain song for the brand chosen "I've Got the Urge to Herbal" that was featured in threescore-second radio spots and was part of a pre-concert video presentation for Spears'south fifty-city summer concert tour, in which Herbal Essences was the tour sponsor.

Singles [edit]

"Oops!... I Did Information technology Over again" was released as the lead single from the album and accomplished worldwide popularity. It became Spears's third top-x striking single on the Usa Billboard Hot 100, peaking at number nine; even so, in comparison to the huge success of her debut single "...Infant One More Time", Jive Records considered "Oops!... I Did It Again" a minor thwarting.[36] The vocal peaked at number one on the U.s.a. Mainstream Top 40,[37] holding the record for the near radio additions in one mean solar day. "Oops!... I Did It Again" peaked atop the charts in Australia, Belgium, Canada, Italy, kingdom of the netherlands, New Zealand, Norway, Poland, Romania, Espana, Sweden, Switzerland and the United kingdom.[38] An accompanying music video for "Oops!... I Did It Again" saw Spears on Mars in at present-iconic cherry-red shiny catsuit, while she is visited by an American astronaut who hands her the fictional Centre of the Ocean jewel which Rose threw into the sea at the finish of Titanic.[39]

The album's second unmarried, "Lucky", was released on July 25, 2000 and received positive response from the music critics, who considered ane of her best offerings from the album. Commercially, "Lucky" topped the charts in Republic of austria, Germany, Sweden and Switzerland, while reaching number five on the UK Singles Nautical chart.[40] In the Us, "Lucky" only managed to peak at number twenty-three on the Billboard Hot 100 chart and at number nine on the Mainstream Height 40.[36] The "glittery" music video sees Spears as the narrator and an extra named Lucky, who is a melancholy movie star and shows her conflicted human relationship to fame.[41]

The third single, "Stronger", was released on October 31, 2000 and became the album'southward second highest-charting unmarried in the United States, peaking at number xi on the Billboard Hot 100 and number one on the Hot Unmarried Sales.[36] It reached number seven on the Britain Singles Chart.[42] Its music video sees Spears catching her fellow cheating on her at a futuristic turntable nightclub, driving off, getting in a wreck and singing in the rain,[41] while the chair sequence in the video was inspired past Janet Jackson'due south video for "The Pleasance Principle".[43]

The fourth and final single, "Don't Let Me Be the Last to Know", was released on March 12, 2001 and is one of Spears' favorite tracks of her career. In the United States, the song performed well beneath expectations, failing to chart on the Billboard Hot 100 nor the Mainstream Top 40. However, the song attained success in Europe, topping the Romanian Top 100 and peaking inside the pinnacle x in Austria, Poland and Switzerland, while just missing the pinnacle ten in Germany, Republic of ireland, Sweden and the United Kingdom, peaking at number twelve in all of them.[44] The music video was considered too racy at the time, portraying Spears in love scenes with her fictional boyfriend, played by French model Brice Durand.[45]

"You Got It All" received a promotional release in France in May 2000. A promotional CD single for "When Your Eyes Say It" was released in the United Kingdom in January 2001.[ citation needed ]

Critical reception [edit]

Professional person ratings
Aggregate scores
Source Rating
Metacritic 72/100[47]
Review scores
Source Rating
AllMusic [1]
Billboard favorable[16]
Christgau's Consumer Guide (choice cut) [48]
Entertainment Weekly B[21]
Los Angeles Daily News [49]
MTV Asia eight/10[50]
NME viii/10[19]
Rolling Rock [22]
Salon favorable[51]
Sonic.net [52]

Oops!... I Did It Once again received favorable reviews from music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, Oops!... I Did It Again received an average score of 72, based on 12 reviews, indicating "more often than not favorable reviews".[53] Giving the album four out of five stars, Stephen Thomas Erlewine of AllMusic noted that the album "has the same combination of sweetly sentimental ballads and endearingly gaudy dance-pop that made 'One More than Time'," only remarked that, "Fortunately, she and her product squad not only have a stronger overall fix of songs this time, but they also occasionally go carried abroad with the same bewildering magpie aesthetic, [...] giv[ing] the album grapheme apart from the well-crafted dance-pop and ballads that serve equally its heart. In the end, it's what makes this an entertaining, satisfying listen."[1] Billboard magazine wrote that "'Oops!...' indicates that she's developing a soulful edge and emotional depth that tin't exist conjured with a glass-shattering note," praising the album for consistently bandage[ing] Spears equally a young adult female coming to terms with her inner power—and that'southward a darn skilful bulletin to offering an impressionable audience."[16] Amusement Weekly'due south David Browne gave the album a B-rating, writing that the album "reminds us once again that the all-time new popular tin can be a blast of cool air in a stifling room."[21]

Rob Sheffield of Rolling Stone gave the album a three-and-a-one-half out of five stars rating, calling the album "fantastic pop cheese, with much meliorate song-factory hooks than 'Due north Sync or BSB go", also noting that "the great thing about Oops!, nether the cheese surface, is complex, fierce and downright scary, making her a true child of rock & roll tradition."[22] A writer of NME reported that "she's modernistic-day pop perfection realised in a nearly, man form", commenting that "she's done it again."[19] Lennat Mak of MTV Asia named it "a vivid 2d album", writing that Spears "is armed with a more than mature and seasoned pop star look, stronger and poppier songs, and of form, extensive media exposure."[50] Andy Battaglia of Salon chosen the album "a masterpiece of sorts non for its message only for the fashion it applies the conventions of the pop-musical medium."[51] Website The A.5. Club was more than mixed, calling it "a joyless bit of redundant, obvious, competent cheese, recycling itself at every turn and soliciting songwriting from such soulless hacks equally Diane Warren and assorted Swedes."[54]

Accolades [edit]

Commercial operation [edit]

In the Usa, Oops!... I Did Information technology Again reportedly sold 500,000 copies in its beginning mean solar day of release.[sixty] Information technology debuted at number one on the Billboard 200 chart, with beginning-week sales of 1,319,193 copies.[61] [62] [63] With its success, Spears held the tape for the highest first-week sales by a female person artist.[64] This record was held for 15 years, only to be surpassed in November 2015 by the album 25 by Adele, which sold over three.38 million albums in the United States in its offset week.[four] The album fell to number two in its second week, with additional sales of 612,000 copies.[65] It held this position for 15 consecutive weeks.[66] [67] By its fifth week of availability, Oops!... I Did It Again had sold over iii 1000000 copies and had passed v one thousand thousand copies past August.[68] On its seventeenth week on the chart,[69] it was certified septuple Platinum by the Recording Manufacture Association of America (RIAA) for shipments of seven million units.[70] [71] The album spent eighty-4 weeks on the Billboard 200, thirty-1 weeks on the Canadian Albums Chart, and two weeks on the United states Catalog Albums.[72] Oops!... I Did It Again debuted at number eighty-two on the European Elevation 100 Albums, and rapidly peaked at number one;[73] it sold over 4 meg copies inside the continent, being certified four-times Platinum past the International Federation of the Phonographic Industry.[74] Oops!... I Did It Again reached number ii on the UK Albums Chart,[38] selling 88,000 copies in the first week of release; information technology remained in the top 5 for iv weeks. The album debuted at number one in Canada, selling 95,275 copies in its start week.[75]

It topped the French Albums Chart[76] and the German language Offizielle Top 100, also being certified triple Platinum by the British Phonographic Industry (BPI),[77] double Golden past the Syndicat National de l'Édition Phonographique (SNEP)[78] and triple Platinum past Bundesverband Musikindustrie (BVMI),[79] denoting shipments to retailers of 900,000 units, 200,000 copies sold and 900,000 units shipped, respectively. Additionally, the album debuted at number two on the Australian Albums Chart, and spent ten weeks in the top twenty;[lxxx] information technology became the fourteenth highest-selling of 2000 in the country and was certified double Platinum by the Australian Recording Industry Association (ARIA) the following year after shipping 140,000 copies to retailers.[81] [82] Oops!... I Did It Again opened at number 3 on the New Zealand Albums Chart and was certified Gold after just one calendar week on the chart.[83] The Recording Industry Association of New Zealand (RIANZ) ultimately certified information technology double Platinum.[84] Oops!... I Did It Again became the third best-selling album of 2000 in the Usa, selling seven,893,544 albums according to Nielsen SoundScan[85] and fourth best-selling album according to Billboard Yr-End of 2000.[86] On Jan 24, 2005, the album was certified decuple Platinum (Diamond) by the Recording Industry Clan of America (RIAA).[87] [88] Besides, the album landed at number twenty-vii on BMG Music Club all-time best-sellers listing with 1.21 1000000 units, backside Shania Twain's The Woman in Me (1.24 million) and Nirvana's Nevermind (1.24 million).[89] As of July 2009, the album has sold ix,184,000 copies in the United States, excluded copies sold through clubs, such as the BMG Music Service.[90] Worldwide, Oops!... I Did It Again sold ii.v meg copies in its first week (second highest first calendar week sales by a female creative person worldwide) and sold fifteen million copies by the end of the year. It was the best-selling female album and 3rd best selling album of 2000. The album has sold 20 million copies worldwide.[six]

Controversy [edit]

Musicians Michael Cottril and Lawrence Wnukowski filed a copyright case against Spears, Zomba Recording Corporation, Jive Records, Wright Amusement Group and BMG Music Publishing, claiming Spears' "What U See (Is What U Get)" and "Can't Make You Love Me" are "virtually identical" to one of their songs. Cottrill and Wnukowski claimed that they authored, recorded and copyrighted a song called "What You Come across Is What You Get" in 1999 to 1 of Spears' representatives for consideration on a future album, though it was rejected.[91] The case was later dismissed later on it was ruled that they lacked sufficient bear witness and that there "weren't enough similarities betwixt the 2 songs to prove copyright infringement."[92]

Track listing [edit]

Oops!... I Did It Once more  – North American edition[93]
No. Championship Writer(s) Producer(southward) Length
1. "Oops!... I Did It Again"
  • Max Martin
  • Rami Yacoub
  • Martin
  • Yacoub
3:31
2. "Stronger"
  • Martin
  • Yacoub
  • Martin
  • Yacoub
iii:23
3. "Don't Go Knockin' on My Door"
  • Martin
  • Yacoub
  • Jake Schulze
  • Alexander Kronlund
  • Jake
  • Yacoub
3:43
iv. "(I Can't Get No) Satisfaction"
  • Mick Jagger
  • Keith Richards
Rodney Jerkins 4:23
5. "Don't Let Me Exist the Last to Know"
  • Robert John "Mutt" Lange
  • Shania Twain
  • Keith Scott
Lange 3:50
6. "What U See (Is What U Get)"
  • Per Magnusson
  • David Kreuger
  • Jörgen Elofsson
  • Yacoub
  • Magnusson
  • Kreuger
  • Yacoub
three:36
7. "Lucky"
  • Martin
  • Yacoub
  • Kronlund
  • Martin
  • Yacoub
3:26
8. "I Kiss from You" Steve Lunt
  • Lunt
  • Larry "Rock" Campbell
3:23
ix. "Where Are You Now"
  • Martin
  • Andreas Carlsson
  • Martin
  • Yacoub
4:39
10. "Can't Make Yous Love Me"
  • Kristian Lundin
  • Carlsson
  • Martin
  • Lundin
  • Jake
3:17
xi. "When Your Eyes Say It" Diane Warren
  • Lunt
  • Robert "Esmail" Jazayeri
  • Paul Umbach[a]
4:29
12. "Dear Diary"
  • Britney Spears
  • Jason Blume
  • Eugene Wilde
  • Timmy Allen
  • Barry J. Eastmond
ii:46
Total length: 44:37
Oops!... I Did It Over again  – International edition[94]
No. Title Writer(s) Producer(south) Length
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
4:06
xiii. "Honey Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Total length: 48:24
Oops!... I Did Information technology Again  – Asian edition[95]
No. Championship Writer(s) Producer(s) Length
11. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
iv:06
12. "Girl in the Mirror" Elofsson
  • Magnusson
  • Kreuger
iii:36
13. "You Got It All" Rupert Holmes Eric Foster White four:43
14. "Honey Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
2:46
Full length: 52:33
Oops!... I Did Information technology Again  – Japanese, Australian, Mexican, Asian and UK special edition[96] [97]
No. Title Writer(s) Producer(s) Length
eleven. "When Your Eyes Say It" Warren
  • Lunt
  • Jazayeri
  • Umbach[a]
4:06
12. "Daughter in the Mirror" Elofsson
  • Magnusson
  • Kreuger
three:36
13. "You Got It All" Holmes White 4:10
xiv. "Middle"
  • George Teren
  • Wilde
  • Lunt
  • Campbell
3:31
xv. "Dear Diary"
  • Spears
  • Blume
  • Wilde
  • Allen
  • Eastmond
two:46
Full length: 55:34
Oops!... I Did It Once more  – Australian special edition (bonus disc)[98]
No. Title Length
1. "Don't Allow Me Exist the Last to Know" (Album version) three:50
ii. "Don't Let Me Exist the Final to Know" (Hex Hector Radio Mix) 4:01
3. "Don't Permit Me Exist the Last to Know" (Hex Hector Social club Mix) x:12
4. "Stronger" (MacQuayle Mix Show Edit) v:21
5. "Stronger" (Pablo La Rosa's Tranceformation) vii:21
6. "Oops!... I Did It Again" (Music video) iv:eleven
7. "Lucky" (Music video) 4:07
viii. "Stronger" (Music video) 3:37
ix. "Don't Let Me Be the Last to Know" (Music video) 3:51
Total length: 30:52
Oops!... I Did It Again  – Asian special edition (bonus disc)[99]
No. Title Length
one. "Oops!... I Did Information technology Again" (Music video) iv:twenty
2. "Lucky" (Music video) iv:xiv
three. "Stronger" (Music video) 3:47
4. "Oops!... I Did Information technology Once again" (Karaoke) iv:17
five. "Lucky" (Karaoke) iv:18
6. "Stronger" (Karaoke) 3:46
Total length: 25:25

Notes

  • Rail iv, "(I Can't Go No) Satisfaction" is a cover of the 1965 Rolling Stones single.
  • ^a signifies a vocal producer

Personnel [edit]

Credits adapted from AllMusic.[100]

  • Britney Spears – vocals, groundwork vocals, spoken words, concept
  • Steve Lunt - A&R, composer, producer, string arrangements
  • Jeanne LeBlanc – cello
  • Jesse Levy – cello
  • Kermit Moore – cello
  • Eugene J. Moye – cello
  • Harvey Mason, Sr. – editing
  • Bobby Brown – assistant engineer
  • Flip Osman – assistant engineer
  • Clayton Wood – assistant engineer
  • Anthony Ruotolo – assistant engineer
  • Alfred Bosco – assistant engineer
  • Shane Stoneback – assistant engineer
  • Charles McCrorey – engineer, assistant engineer
  • Michel Gallone – engineer, mixing engineer
  • Chris Trevett – engineer, song engineer, mixing engineer
  • Eric Gast – engineer
  • Tim Donovan – engineer
  • Harvey Mason, Jr. – engineer
  • Dan Gellert – engineer
  • John Amatiello – engineer
  • Stephen George – mixing engineer
  • Dexter Simmons – mixing engineer
  • Chris Tergesen – string engineer
  • Michael Tucker – song engineer
  • Jackie Murphy – art direction, design
  • Mark Seliger – back embrace, cover photo
  • Larry "Rock" Campbell – bass, guitar, producer, drum programming
  • Marji Danilow, Judith Sugarman, Thomas Lindberg – bass
  • Esbjörn Öhrwall – guitar
  • Johan Carlberg – guitar
  • Michael Thompson – guitar
  • Kali – hair stylist
  • Gloria Agostini – harp
  • Max Martin – keyboards, programming, producer, mixing engineer, spoken word
  • Robert "Esmail" Jazayeri – keyboards, producer, drum programming
  • Per Magnusson – keyboards, programming, producer, mixing engineer
  • Jake – keyboards, programming, producer, mixing engineer
  • Kristian Lundin – keyboards, programming, producer, mixing engineer
  • Rami – keyboards, programming, producer, mixing engineer
  • David Kreuger – keyboards, programming, producer, mixing engineer
  • Kent Wood – keyboards
  • Elan Bongiorno – make-up
  • Johnny Wright – direction
  • Tom Coyne – mastering
  • Nigel Green – mixing
  • Jon Ragel – photography
  • Barry Eastmond – pianoforte, conductor, keyboards, producer, engineer, orchestral arrangements
  • Rodney Jerkins – producer, engineer, vocal arrangement, mixing engineer
  • Robert John – producer
  • Timmy Allen – producer
  • Richard Meyer aka Swayd – programming
  • Cory Churko – programming
  • Kevin Churko – programming
  • William Meade – string coordinator
  • Hayley Hill – stylist
  • Alfred V. Brown – viola, orchestra contractor
  • Julien Barber – viola
  • Olivia Koppell – viola
  • Harry Zaratzian – viola
  • Maxine Roach – viola
  • Stephanie Baer – viola
  • Richard Henrickson – violin, concertmaster
  • Sanford Allen – violin
  • Belinda Whitney-Barratt – violin
  • Sandra Billingslea – violin
  • Winterton Garvey – violin
  • Gerald Tarack – violin
  • Joyce Hammann – violin
  • Stanley Hunte – violin
  • Regis Iandiorio – violin
  • Gene Orloff – violin
  • Marion Pinhiero – violin
  • Marti Sweetness – violin
  • Amahid Ajemian – violin
  • Xin Zhao – violin
  • Margaret Magill – violin
  • Ashley Horne – violin
  • Nikki Gregoroff – background vocals
  • Audrey Martells – background vocals
  • Nana Hedin – groundwork vocals
  • Darryl Anthony – background vocals
  • Nora Payne – groundwork vocals
  • Jeanette Söderholm – background vocals
  • Therese Ancker – groundwork vocals
  • Charlotte Björkman – groundwork vocals
  • Andres Von Hofsten – background vocals
  • Nina Woodford – background vocals
  • Mona Yacoub – background vocals
  • Jeanette Olsson – groundwork vocals
  • Stephanie Baer – background vocals

Charts [edit]

Certifications and sales [edit]

Release history [edit]

Come across likewise [edit]

  • List of best-selling albums
  • Listing of best-selling albums by women
  • List of best-selling albums in the United States
  • List of fastest-selling albums

Notes [edit]

  1. ^ As of December 2010, Oops!...I Did It Again has sold 9,201,000 copies in the United states co-ordinate to Nielsen SoundScan,[186] with additional 1,210,000 copies sold at BMG Music Clubs.[89] Nielsen SoundScan does not count copies sold through clubs similar the BMG Music Service, which were significantly popular in the 1990s.[90]

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Bibliography [edit]

  • Salaverri, Fernando (2005). Sólo éxitos. Año a año. 1959-2002 [Only Hits. Yr by year. 1959-2002] (in Spanish). Madrid, Espana: Iberautor Promociones Culturales. p. 943. ISBN9788480486392.

External links [edit]

  • Official website

molinaheratat1982.blogspot.com

Source: https://en.wikipedia.org/wiki/Oops!..._I_Did_It_Again_(album)

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